Iain Banks: Song of Stone
05. January 2009 16:47
And now, my dear, I'm finished. The tale is done
And now, my dear, I'm finished. The tale is done, and done with us as it would. There has been an evening, and with the dawn comes worse. I watch the day die slowly, the sunset's gaudy show dragging clouds down with it and finally outdoing the castle's last weak glow.
A bird of prey, returning hunter, is circling and wheeling, rising and falling over the last surrendered warmth our home breathes up, cutting edges through that quiet grey smoke and surfacing beyond and banking back.
A hawk, I do believe. One of mine I let fly out, come back. I gaze up, submitting for a moment to an easy admiration of the beast, imagining that it knows somehow that I am here and you are not and all is lost, that some honed slayer's instinct brings it back to acknowledge all our fates.
But it is just a bird, and stupid in our terms; its delicately fierce frame, that narrow-pared skull, holds just sufficient sense for its carnivorous function, and contains no room for any further thought. Carved to fit its place in life through the struggles of all its ancestors, sculpted by the vast simplicity of evolution it has no more sense of our tribulations than does a knife, or a bullet, and is just as blameless. What we call its cruel beauty appeals to our found sense of awe, but it is our pride, our ferocity and our grace that we deify in it, and at our peril forget it is that saving subtlety of mind that lets us think at all which we put below the talon's crude mechanic grasp, and - precisely by our reckoning - it is we who remain forever above it.
I hear the sound of other guns, that great rumble rolling over the land from some distant front, somehow surprising me, forcing the unknowing world back upon my consciousness, as I stand here; bound, condemned and waiting.
The soldiers say they will move on tomorrow. They shooed the refugees away to take over their mean camp upon the lawns, and now a couple of husbands and one of our servants float in the moat too. You, forever silent one, are still raised up within the clearing air, poised blackened over the collapsed and gutted shell of the castle, your composed eyes at last observing dryly what the air now offers you, and I wonder will the hawk, preferring cooked or undone meat, visit you or I.